Jiang Wen’s Cinematic Universe: A Glimpse into His Masterpieces
Jiang Wen, a name synonymous with cinematic brilliance in China, has carved a niche for himself with his unique storytelling and directorial style. His films, often laced with dark humor and historical undertones, have garnered both critical acclaim and audience adoration. Let’s delve into some of his most iconic works.
Devils on the Doorstep (鬼子来了)
“Happy New Year, Big Brother and Sister! You are my grandpa, and I am your son!”
Set during the Second Sino-Japanese War, this film portrays the story of a Chinese peasant, Ma Dasan, who is tasked with guarding two Japanese prisoners – a soldier named Hanaya Kosaburo and a translator, Dong Hanshen – left behind by guerilla fighters. The ensuing interactions between Ma Dasan, the villagers, and the captives lead to a series of darkly comedic and ultimately tragic events, culminating in a devastating reprisal by the Japanese army.
Praised as a satirical masterpiece, “Devils on the Doorstep” was nominated for the prestigious Palme d’Or at the 53rd Cannes Film Festival and won the Grand Prix. It holds a remarkable 9.3 rating on Douban, a testament to its enduring impact.
Let the Bullets Fly (让子弹飞)
“Don’t rush, let the bullets fly for a while.”
This action-comedy revolves around Zhang Muzhi, a bandit who assumes the identity of “Ma Bangde,” a newly appointed magistrate of Goose Town. He finds himself in a fierce battle of wits and power against the ruthless local tyrant, Huang Silang.
“Let the Bullets Fly” became a cultural phenomenon upon its release, with the catchphrase “let the bullets fly for a while” quickly becoming a popular internet meme.
The Sun Also Rises (太阳照常升起)
“It’s not about not remembering, it’s about not forgetting. If you can’t forget, if you’re too familiar, you’ll want to run away.”
Adapted from Ye Mi’s novel “Velvet,” this film is a collection of four interconnected, surreal stories: the tale of a madwoman, a teacher, a man sent to a labor camp, and the madwoman’s search for her lover.
Watching “The Sun Also Rises” is an invitation to embrace its surprising imagery and experience its unique blend of absurdity and humor.
In the Heat of the Sun (阳光灿烂的日子)
“Memories are always beautiful, even though it’s a youth we can never return to.”
Set in Beijing during the early 1970s, this coming-of-age story follows a group of teenage boys, primarily from military families, who spend their days aimlessly roaming the streets, engaging in fights, and generally indulging in youthful exuberance during a period of school closures.
“In the Heat of the Sun” marked Jiang Wen’s directorial debut and established him as a prominent filmmaker. It was nominated for the Golden Lion at the 51st Venice International Film Festival.
Hidden Man (邪不压正)
“If you write your innermost thoughts in a diary, can what you write really be your innermost thoughts?”
Set in 1937 Beijing, on the eve of the Second Sino-Japanese War, this film tells the story of Li Tianran, a secret agent who returns from the United States seeking revenge for the murder of his family.
The film’s rooftop scenes are particularly striking, with the aesthetically pleasing “Republican era” rooftops becoming a visual highlight. The Stone Forest in Kunming Apricot Forest Grand View Garden, where the film was shot, also gained recognition.
Gone with the Bullets (一步之遥)
“No matter how beautiful the clothes are, they are not as beautiful as you are.”
This film follows Ma Zouri’s adventures in Shanghai, where he becomes famous for organizing a grand election. However, his life takes a dramatic turn after a murder, transforming his close friendship with Xiang Feitian into a deadly rivalry.
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