“Ne Zha: Reborn” Soars to Global Box Office Heights, Inspiring Hong Kong Leaders
As of 11:42 AM Beijing time on March 15th, “Ne Zha: Reborn” (unofficially referred to as “Ne Zha 2”) has amassed a staggering 15.021 billion RMB in global box office revenue, including pre-sales and overseas earnings. This monumental achievement propels the animated feature into the top five highest-grossing films in global cinematic history.
The film’s success has resonated deeply, even reaching the highest levels of Hong Kong’s government.
Hong Kong’s Chief Executive Praises “Ne Zha Spirit”
On March 16th, Hong Kong Special Administrative Region Chief Executive John Lee Ka-chiu shared his thoughts on social media after watching “Ne Zha: Reborn” with his wife. He celebrated the rise of Chinese animation. (Image via John Lee’s social media)
John Lee expressed his admiration for the film, stating that he and his wife enjoyed it immensely. He noted the film’s ability to evoke both laughter and tears, particularly highlighting the poignant scene where Madam Yin embraces Ne Zha, shielding him from the “arrows of a thousand hearts.” He emphasized the powerful portrayal of maternal love, reflecting the selfless devotion of mothers worldwide.
Lee also praised the film’s demonstration of China’s rapidly advancing animation technology and its ability to showcase Chinese culture and stories to a global audience. He further pointed out the unique blend of musical styles, with Hong Kong musicians incorporating traditional instruments like the suona alongside electric guitars, creating a distinctive “Hong Kong style” fusion.
The Chief Executive was particularly inspired by Ne Zha’s defiant spirit, quoting the film’s iconic line: “If there is no road ahead, I will forge one myself!” He drew parallels between Ne Zha’s resilience and Hong Kong’s recent reforms, where his administration has fearlessly tackled long-standing challenges. He believes the “Ne Zha spirit” can motivate Hong Kong to continue breaking new ground and paving its own path.
“Ne Zha: Reborn” Captivates Hong Kong Audiences
A promotional video for “Ne Zha: Reborn” plays on a large screen at a cinema in Causeway Bay, Hong Kong, on February 22nd, the film’s official release date in Hong Kong cinemas. (China News Service reporter Hou Yu)
“Ne Zha: Reborn” premiered in Hong Kong and Macau on February 22nd, achieving a record-breaking opening day gross of over 6.5 million HKD, making it the highest-grossing animated and mainland film opening in the region’s history. In Hong Kong alone, the film has consistently outperformed its competitors in terms of screenings, viewership, and online discussions.
As of March 15th, “Ne Zha: Reborn” had grossed 45.944 million HKD in Hong Kong, according to the Hong Kong movie information platform “HKmovie6.”
The film has received overwhelmingly positive reviews, with most Hong Kong viewers awarding it a score of 4 out of 5 or higher.
One commenter wrote: “The second film is grander and more tightly paced than the first, with both touching moments and surprises. It’s a great achievement for mainland animation!” Another viewer stated: “This film has changed my perception of mainland movies. It’s definitely of international standard and worth buying a ticket to see.” A foreign resident in Hong Kong even exclaimed: “Chinese animation is weak? NOT anymore!!”
A selection of film reviews from the Hong Kong movie information platform “HKmovie6.” (Image source: “HKmovie6” official website)
Hong Kong Cinema: A Path to Revival?
Hong Kong cinema was once a prominent force in Chinese-language filmmaking, beloved by audiences worldwide. However, it now faces numerous challenges. The success of mainland films and animations like “Ne Zha: Reborn” prompts reflection on how Hong Kong cinema can regain its former glory.
Recently, Hong Kong filmmakers Tin Kai-Man and Ma Fung-Kwok discussed the revival of Hong Kong cinema in interviews, emphasizing the need for innovation and a return to the “golden age.”
They believe Hong Kong cinema must rebuild its cultural confidence to find a new direction. They suggest rediscovering its creative potential, embracing new themes to cater to modern audiences, and encouraging collaborations with mainland institutions to reach a wider audience.