Arrietty: When Little Worlds Collide
In a world unseen by most, tiny beings live alongside humans, adhering to a strict rule: avoid being seen. Arrietty, a Thumbelina-like girl, breaks this cardinal rule when she encounters Sho, a human boy.
Each new Ghibli film carries echoes of its predecessors, not from a lack of originality, but as a testament to their successful 30-year journey of crafting a unique universe. It’s a comforting sign that the spirit of Hayao Miyazaki, even as a screenwriter rather than director, still guides the studio. “Arrietty” shares a striking resemblance to “My Neighbor Totoro” (1988). Instead of a giant forest spirit, we have elusive little people dwelling beneath the floorboards, borrowing everyday items from the unsuspecting humans above.
Echoes of Totoro
The heart condition that Sho suffers from is another nod to “Totoro,” where the mother is ill. In both films, the protagonists’ encounters with extraordinary beings (natural in Arrietty’s case) seem to promise healing and a brighter future. The film’s beauty is evident from the opening scenes, showcasing Ghibli’s signature stunning animation.
A World of Wonder
“Arrietty” invites us into a world of wonder, where the ordinary becomes extraordinary through the eyes of the small. It’s a story of connection, courage, and the magic that can be found in the most unexpected places.