It might seem cliché to start a review of a Disney sequel with skepticism, given the endless stream of such projects. However, “Disenchanted,” the sequel to “Enchanted,” feels a bit different. Back in 2007, a sequel didn’t seem like a terrible idea, offering potential to explore how a red-haired princess from the magical Andalasia would adapt to the mundane reality of New York City. Could her relationship survive the initial excitement? Would Giselle and Robert truly live happily ever after?
A Not-So-Happy Ever After?
The sequel jumps 15 years into a less-than-perfect future. Giselle (Amy Adams) is tired of the city’s hustle and bustle, so she convinces her family to move to the suburbs, where the gardens are lush and the houses resemble Andalusian architecture. However, a now-teenage Morgan (played by Gabriella Baldacchino, replacing Rachel Covey) isn’t thrilled with the quiet life, and Robert (Patrick Dempsey), while supportive, has his doubts. Only young Sofia (Lara and Mila Jackson), who hasn’t yet found her voice, seems content. Old friends (and former flames), the King and Queen of Andalasia (James Marsden and Idina Menzel), arrive through a backyard well, bearing a magic wand for the young princess. While Sofia isn’t particularly interested in magic, Giselle could use a little enchantment to make suburban life feel more like a fairy tale – a transformation just a wave away!
Amy Adams as Giselle in “Disenchanted”
Lost Potential in a Magical Land
“Disenchanted” is a land of missed opportunities. The original film was a successful blend of Disney’s traditional values with a playful parody and deconstruction of the genre. While it wasn’t revolutionary, it broke ground. The “true love’s kiss” remained a staple of magic, Pip the chipmunk embraced slapstick comedy, and Giselle bravely rescued her lawyer-prince, even daring to think for herself (much to the dismay of the Andalusian heir). Screenwriter Bill Kelly and director Kevin Lima demonstrated that Disney princesses’ behaviors aren’t suited for real life, but some fairy tale ideals can be carried into adulthood. “Enchanted” captured the best of Disney’s approach, which is why it’s so beloved. The sequel, however, represents the downside of a powerful corporation: capitalizing on nostalgia, lazy plotting, and a disjointed story – quick streaming carbs that leave you laughing, crying, and then moving on.
Amy Adams as Giselle in “Disenchanted”
Tears of Disappointment
The tears you might shed aren’t from the struggles between Giselle and her stepdaughter. Despite the talented cast, including the impeccable Maya Rudolph, and Giselle’s challenges with moving and raising two daughters, something went wrong. The original writers left the project, resulting in a predictable crisis presented without imagination. The morals feel like overheard conversations between seventh-graders, and the contrived threat (the destruction of Andalasia) doesn’t translate well to the small screen (the film bypassed theaters and premiered on Disney+). Ultimately, the message – fairy tales should stay in fairy tales – is lost in a sea of frills, curls, and forgettable songs.
Maya Rudolph as Malvina in “Disenchanted”
The Villainization of Women Over 40
Tragically, Disney once again reinforces the stereotype that actresses over 40 are relegated to playing villains (evil stepmothers, witches, etc.), while roles for noble and positive female characters are put on hold until the actress’s hair turns gray. “Disenchanted” doesn’t even attempt irony, instead, it amplifies the “annoying aunt” trope, doubling down on the stereotype. The parody of the genre and Disney’s legacy devolves into tiresome self-parody, with constant references to “Cinderella,” “The Little Mermaid,” “Beauty and the Beast,” “Tangled,” and other hits, but without purpose.
James Marsden as Edward in “Disenchanted”
Aimsless Enchantment
In general, “Disenchanted” feels aimless, driven only by a vague desire to tickle viewers’ nostalgia with familiar faces. Amy Adams is a wonderful actress and remembers Giselle’s choreography perfectly, but she can’t save the thoughtless script. Patrick Dempsey has become more of a decorative element, appearing only sporadically, and Gabriella Baldacchino struggles to carry the dramatic weight. The only bright spot is James Marsden, who is as captivating as Prince Edward as he was 15 years ago (a spin-off joke would be appropriate here, but Disney doesn’t understand humor).
aint joy from the return, but you’ll likely want the reunion to end quickly, feeling awkward and wanting to hide your eyes.