The Gambler: A Psychological Thriller with a Twist of Fate
A stark psychological drama interwoven with the suspense of a high-stakes thriller, “The Gambler” plunges into the life of a professor who flirts with self-destruction through the dangerous world of gambling.
Jim Bennett (Mark Wahlberg), a literature professor and writer plagued by failure, finds himself drowning in debt after losing all his money in an underground casino. He spirals further, borrowing from ruthless gangsters who make it clear that his wealthy family will pay the price if he defaults. Amidst this turmoil, Jim becomes entangled with Amy (Brie Larson), a student he sees as a promising writer, and engages in a revealing conversation with Lamar (Anthony Kelley), a talented basketball player attending Bennett’s class solely for academic credit. As Jim’s debts mount, his creditors begin to target his students, forcing him to confront the consequences of his actions and contemplate a way out.
Directed by Rupert Wyatt, known for “Rise of the Planet of the Apes,” this film is based on the 1974 movie of the same name. While sharing similar plot points, they diverge into distinct narratives with different characters and perspectives on gambling.
Beyond the Thrill: A Death Wish?
In contrast to the original film’s protagonist, a classic “ludomaniac” driven by an uncontrollable addiction to risk, Jim Bennett insists he is not a gambler. This isn’t denial, but a crucial distinction.
While the 1974 film was partly autobiographical for screenwriter James Toback, who battled a gambling addiction, Bennett’s motivations are far more complex.
What drives him if not addiction? Perhaps a more dangerous impulse: a death wish. Disillusioned with his career and achievements, Bennett seeks to dismantle his life, either to find a new beginning or embrace oblivion. He loses his money, accumulates debt, alienates his mother, violates university rules, and confronts his students with harsh truths. With each step, he erases his existence, seemingly deriving a masochistic pleasure from the process.
A Professor’s Privilege?
It’s difficult to sympathize with Bennett. Despite his perceived failures, he enjoys a privileged life as an attractive, single professor at a prestigious university with a wealthy family. His dissatisfaction stems from his books not being considered classics – a classic case of “First World problems.”
Saving Grace: Intriguing Characters and Sharp Dialogue
The film’s first half is engaging, thanks to its colorful supporting characters (John Goodman, Jessica Lange, Michael K. Williams) and witty dialogue about life’s meaning and the importance of responsibility. Wahlberg’s portrayal of a cynical professor, reminiscent of Dr. House, adds to the appeal. However, without further development, the film would fall short of its potential.
From Drama to Thriller: A Moral Awakening
The narrative takes a sharp turn when Bennett’s students become entangled in his problems. A sense of conscience awakens within the selfish professor, prompting him to seek a solution. Forced to raise the stakes, “The Gambler” transforms from a psychological drama into a thrilling adventure. While not as intricate as films like “The Sting,” it offers enough drama to make the viewing experience worthwhile. The film’s exploration of Bennett’s spiritual journey and transformation is both a compelling psychological portrait and an entertaining crime story.
