May December: A Deep Dive into Scandal and Performance
The film “May December” introduces us to Elizabeth Berry (played by Natalie Portman), a dedicated actress preparing for a challenging role in an indie film. The story revolves around a scandalous affair between a student and a teacher, and Elizabeth seeks authenticity by meeting Gracie Atherton-Yu (Julianne Moore), the real-life figure at the heart of the controversy. In Savannah, she also encounters Gracie’s husband, Joe Yu (Charles Melton), the former student, and their children. As Elizabeth delves deeper, she uncovers that Gracie and Joe’s marriage is far from the idyllic picture they present. Elizabeth becomes increasingly consumed by her character and the life she embodies.
Natalie Portman as Elizabeth in “May December”
Todd Haynes’ Masterful Blend of Genres
Director Todd Haynes, known for his unique biographical films like “Velvet Goldmine” and poignant tales like “Carol,” ventures into complex territory with “May December.” This film, which premiered at the Cannes Film Festival and was acquired by Netflix for a staggering $11 million, showcases Haynes’ signature style. It’s a blend of meta-biopic and campy narrative, layered with subtle yet powerful grotesque elements.
Julianne Moore as Gracie in “May December”
A Genre-Defying Exploration of Guilt and Performance
“May December” defies easy categorization. It flirts with the intensity of a thriller, reminiscent of Adrian Lyne’s work, and delves into the social implications of grooming with the precision of a social drama. However, romance is notably absent, suggesting the film’s focus lies elsewhere. Haynes masterfully reveals new layers, challenging our perceptions of the characters. The facade of family bliss crumbles under the weight of reality, exposing the characters’ vulnerabilities.
Interestingly, Elizabeth seems to be the least convincing in her role. Gracie, despite not being a professional actress, skillfully portrays herself as a misunderstood Juliet, a victim of forbidden love. Meanwhile, Joe grapples with the overwhelming responsibility for the past. A shared sense of guilt binds the family together, perhaps more strongly than love itself.
Julianne Moore as Gracie in “May December”
The Unraveling of Characters and Societal Judgment
Portman’s character ignites a slow-burning emotional crisis that eventually engulfs her. Elizabeth’s relentless pursuit of the truth behind Gracie and Joe’s unconventional marriage reveals a cold and detached persona. Her intrusion into their lives transforms her into the story’s antagonist.
The film suggests that each unhappy family is unique in its suffering. Joe and Gracie are undoubtedly tragic figures, while Elizabeth represents a judgmental society that scrutinizes and discards those who deviate from its moral standards. “May December” echoes the social satires of Olivier Assayas, particularly “Clouds of Sils Maria,” but with a more intense narrative and provocative themes.
A Provocative Look at Grooming and Collective Guilt
Haynes tackles the sensitive topic of grooming without resorting to simplistic moralizing. He invites the audience to consider the complexities of collective guilt in a world that often lacks forgiveness. “May December” serves as a distorted reflection of an unforgiving society, one that attempts to conceal its own flaws. With its compelling narrative and outstanding performances, this film is poised to be a standout of the year.