A Woman Is a Woman

In the whimsical and comedic 1961 film 'A Woman Is a Woman', French New Wave pioneers Jean-Luc Godard and Jean-Pierre Léaud combine their talents to craft an entertaining and introspective comedy of love and relationships. The film tells the story of a young stripper named Angélique (Jeanne Moreau) who is desperate to become a mother and start a family with her longtime boyfriend Émile (Jean-Paul Belmondo). However, after a particularly grueling performance at a seedy nightclub, Angélique reveals to Émile that she is eager to conceive a child with him. Despite Angélique's enthusiasm, Émile seems hesitant and unsure of his feelings on having a child. It isn't until he meets the enigmatic Arthur Lester (Gérard Blain), a wealthy and suave individual who appears to be everything Émile wants to be. Émile becomes increasingly insecure, fearing that he may not be good enough for Angélique, and decides to pursue a relationship with Arthur, knowing that it is Angélique's desire to make him jealous. As the story unfolds, Émile embarks on a series of complicated relationships with both Angélique and Arthur, testing their connections with one another. Arthur, it turns out, is not as perfect as Émile initially thinks. His wealthy facade masks a rather aimless and self-centered individual with no real emotional depth. In response, Émile attempts to rekindle his relationship with Angélique by showing her his vulnerability and the sincerity he feels for her. Throughout 'A Woman Is a Woman,' Jean-Luc Godard uses witty dialogue and charming cameos to bring to life his offbeat vision of 1960s Paris. Godard has stated that the film was heavily influenced by the musicals of the American cinema, an observation that's clear as the story features elaborate musical numbers. These sequences showcase a different side of Godard – more in tune with his comedic and lighthearted side, as opposed to his more cerebral and intellectual leanings. However, the film's more serious explorations of Angélique's longing for a child reveal Godard's sensitivity towards his characters' emotional struggles. Jeanne Moreau's captivating performance as Angélique brings life to the character. She delivers an impressive portrayal of a woman torn between her desire for motherhood and her need for independence. The chemistry between Moreau and Belmondo is palpable, as is the tension between them as they navigate the complexities of their relationship. Belmondo, who would go on to star in several other Godard films, provides a captivating and nuanced performance, showcasing his range as a dramatic actor. Gérard Blain brings a delightful air of sophistication to the enigmatic and self-absorbed Arthur Lester, a role that highlights the darker aspects of his character's supposed 'suaveness'. The dynamic between Blain, Moreau and Belmondo is multifaceted, bringing an added layer of complexity to the film's exploration of love, relationships, and identity. Ultimately, 'A Woman Is a Woman' is a delightful and engaging exploration of love and desire, one that combines elements of romantic comedy and French New Wave. As Godard's film navigates its way through the lives of Angélique, Émile and Arthur, it raises essential questions about what it means to be a woman, what it means to be in love, and how these definitions continue to evolve over time. Godard's masterful direction brings this vision to life through witty dialogue, captivating performances, and the use of cinematic techniques that showcase his innovative filmmaking style.