Scanners (Explosión Demencial)
Trama
En el thriller de ciencia ficción de David Cronenberg de 1981, "Scanners (Explosión Demencial)", Cam Henderson (Michael Ironside) es un poderoso telépata con la habilidad de controlar y destruir las mentes de las personas. Cuando Cam descubre que no está solo en sus habilidades, se ve envuelto en una trama siniestra por una corporación llamada Consecend, que busca explotar a individuos con poderes tan extraordinarios para su propio beneficio. La película comienza con Cameron Vale (Peter Stebbings), un joven problemático con habilidades telepáticas, siendo rastreado y capturado por agentes de Consecend. A medida que Cameron es sometido a experimentos e interrogatorios, comienza a darse cuenta de la magnitud de sus poderes y la verdadera naturaleza de las intenciones de la corporación. Mientras tanto, Darryl Revok (Michael Ironside), un escáner brillante pero inestable con talento para la destrucción, ha escapado de las garras de la compañía. Darryl se obsesiona con Cameron, convencido de que están conectados de alguna manera y que está destinado a destruirlo. A medida que Cam lucha por aceptar sus habilidades y las fuerzas malignas que lo rodean, también debe confrontar los oscuros secretos de Consecend y sus siniestros planes para la dominación global. Con la ayuda de un movimiento clandestino rebelde que lucha contra la tiranía de la corporación, Cameron se propone detener a Darryl y exponer la verdad sobre Consecend. A lo largo de la película, Cronenberg explora temas de paranoia, rebelión y la difuminación de las líneas entre la realidad y la fantasía. El resultado es un thriller tenso y visualmente impactante que profundiza en los aspectos más oscuros de la naturaleza humana. Con su combinación de horror de ciencia ficción y comentario social, "Scanners (Explosión Demencial)" se ha convertido en un clásico de culto, consolidando su lugar como una de las películas más influyentes en la obra de Cronenberg.
Reseñas
Hudson
Quite the opposite of "It's Alive," "Scanners" employs telekinetic homicide, a concept practically impossible to visualize directly on screen. It relies heavily on the actors' ability to convey the extraordinary without physical props. (Also, is that helicopter shot at the 63-minute mark an homage to his own film, "Stereo"?)
Marcus
Clearly, "Scanners" foreshadows the concept later seen in Marvel's X-Men. But, the visual representation of mental control, relying solely on the actors' performances without physical aids, often feels strained and constipated. This film leans more towards "fantasy" than "science fiction," dwelling on imagination ungrounded in physical reality, akin to the unreal notions of "magic" or "inner power," making it all rather mystical and vague. It's a concept-driven piece, indeed. The depiction of the battle between superhuman psychic abilities unfolds through a series of medium and close-up shots, switching between actors. To its credit, the film ventures into political and philosophical reflection, though superficially. If one seeks a truly in-depth exploration of a computer-controlled human utopia, Fassbinder's "World on a Wire" offers a far more insightful perspective...
Hope
The green font on the screen, the state of computing in the 1980s, the Scanner as a direct connection between humans and electronic components, or rather, the internalization of mechanics within the flesh through some means. "Scanners" seems to borrow a kind of 1940s retro-futurism, without internally demonstrating this relationship. Further, the film revisits the "institute" space, a location seen in Cronenberg's earlier experimental works, where ESP phenomena are recorded and observed. However, "Scanners" does not adopt the "thesis film" mode of his early work by explaining the rationality of this theory through abundant audio-visual opposition, but rather functions as a more straightforward genre film...
Adrienne
Every Cronenberg film can be divided into a tedious 70 minutes and a mind-blowing 20 minutes that leaves you questioning everything you thought you knew.
Tucker
The ending was brutally shocking! I was completely stunned. After reading Nine Uncle's short review, it all made sense. This is indeed a martial arts film! The ending was a battle of internal energy between the two strongest masters in the world on a mountaintop...
Max
Scanners is a thrilling sci-fi horror film that explores the dark side of telepathic powers. The film's eerie atmosphere and intense action sequences keep viewers on the edge of their seats. The story delves into the sinister motives of the mysterious corporation, revealing a complex web of intrigue and deception. With its thought-provoking themes and graphic violence, Scanners is a cult classic that still captivates audiences today, leaving a lasting impact with its haunting and unsettling portrayal of psychic horror.
Esther
"Scanners, huh? You think you're the only one who can read minds with your brainwave sandwich? Try telling that to the self-checkout line at McDonald's. They've been 'scanning' my patience for months!"
