Scanners
Intrigue
Dans le thriller de science-fiction de David Cronenberg, sorti en 1981, "Scanners", Cam Henderson (Michael Ironside) est un puissant télépathe capable de contrôler et de détruire l'esprit des gens. Lorsque Cam apprend qu'il n'est pas le seul à posséder ces capacités, il se retrouve impliqué dans un complot sinistre orchestré par une société appelée Consecend, qui cherche à exploiter des individus dotés de pouvoirs extraordinaires à ses propres fins. Le film s'ouvre sur Cameron Vale (Peter Stebbings), un jeune homme troublé doté de capacités télépathiques, traqué etCapturé par des agents de Consecend. Alors que Cameron est soumis à des expériences et des interrogatoires, il commence à prendre conscience de l'étendue de ses pouvoirs et de la véritable nature des intentions de la société. Pendant ce temps, Darryl Revok (Michael Ironside), un scanner brillant mais instable avec un talent pour la destruction, s'est échappé des griffes de l'entreprise. Darryl devient obsédé par Cameron, convaincu qu'ils sont liés d'une manière ou d'une autre et qu'il est destiné à le détruire. Alors que Cam lutte pour accepter ses capacités et les forces maléfiques qui l'entourent, il doit également affronter les sombres secrets de Consecend et leurs plans sinistres de domination mondiale. Avec l'aide d'un mouvement underground rebelle luttant contre la tyrannie de la société, Cameron entreprend d'arrêter Darryl et de révéler la vérité sur Consecend. Tout au long du film, Cronenberg explore les thèmes de la paranoïa, de la rébellion et du flou des frontières entre la réalité et la fantaisie. Le résultat est un thriller tendu et visuellement saisissant qui plonge dans les aspects les plus sombres de la nature humaine. Avec son mélange d'horreur de science-fiction et de commentaire social, "Scanners" est devenu un classique culte, cimentant sa place comme l'un des films les plus influents de l'œuvre de Cronenberg.
Critiques
Hudson
Quite the opposite of "It's Alive," "Scanners" employs telekinetic homicide, a concept practically impossible to visualize directly on screen. It relies heavily on the actors' ability to convey the extraordinary without physical props. (Also, is that helicopter shot at the 63-minute mark an homage to his own film, "Stereo"?)
Marcus
Clearly, "Scanners" foreshadows the concept later seen in Marvel's X-Men. But, the visual representation of mental control, relying solely on the actors' performances without physical aids, often feels strained and constipated. This film leans more towards "fantasy" than "science fiction," dwelling on imagination ungrounded in physical reality, akin to the unreal notions of "magic" or "inner power," making it all rather mystical and vague. It's a concept-driven piece, indeed. The depiction of the battle between superhuman psychic abilities unfolds through a series of medium and close-up shots, switching between actors. To its credit, the film ventures into political and philosophical reflection, though superficially. If one seeks a truly in-depth exploration of a computer-controlled human utopia, Fassbinder's "World on a Wire" offers a far more insightful perspective...
Hope
The green font on the screen, the state of computing in the 1980s, the Scanner as a direct connection between humans and electronic components, or rather, the internalization of mechanics within the flesh through some means. "Scanners" seems to borrow a kind of 1940s retro-futurism, without internally demonstrating this relationship. Further, the film revisits the "institute" space, a location seen in Cronenberg's earlier experimental works, where ESP phenomena are recorded and observed. However, "Scanners" does not adopt the "thesis film" mode of his early work by explaining the rationality of this theory through abundant audio-visual opposition, but rather functions as a more straightforward genre film...
Adrienne
Every Cronenberg film can be divided into a tedious 70 minutes and a mind-blowing 20 minutes that leaves you questioning everything you thought you knew.
Tucker
The ending was brutally shocking! I was completely stunned. After reading Nine Uncle's short review, it all made sense. This is indeed a martial arts film! The ending was a battle of internal energy between the two strongest masters in the world on a mountaintop...
Max
Scanners is a thrilling sci-fi horror film that explores the dark side of telepathic powers. The film's eerie atmosphere and intense action sequences keep viewers on the edge of their seats. The story delves into the sinister motives of the mysterious corporation, revealing a complex web of intrigue and deception. With its thought-provoking themes and graphic violence, Scanners is a cult classic that still captivates audiences today, leaving a lasting impact with its haunting and unsettling portrayal of psychic horror.
Esther
"Scanners, huh? You think you're the only one who can read minds with your brainwave sandwich? Try telling that to the self-checkout line at McDonald's. They've been 'scanning' my patience for months!"
