Eddie Izzard: Dress to Kill

'Dress to Kill' is a stand-up comedy film by British comedian Eddie Izzard, released in 1999. The movie showcases Izzard's unique blend of humor and storytelling as she tackles various topics, from history to her own experiences as a transvestite. The film was recorded at the Golden Gate Theatre in San Francisco, and it marks a pivotal moment in Izzard's career, as she continues to push boundaries with her unapologetic persona and provocative stage presence. The film begins with Izzard describing her love of clothing and dressing up, often incorporating humor and self-deprecation to make her audience laugh. She reminisces about her childhood fascination with clothes, recalling how she would spend hours in her mother's closet, trying on various outfits and experimenting with different personas. Izzard's wit and charm are on full display as she regales the audience with tales of her early days as a transvestite, making her way in a world that often frowns upon such self-expression. As the show progresses, Izzard turns her attention to the realm of history, delving into the fascinating stories of pagan and Christian mythology. She takes the audience on a wild ride, exploring the origins of the universe, the birth of the gods, and the ancient rituals that have shaped the course of human history. With her signature wit and clever wordplay, Izzard skewers the absurdities of ancient mythology, offering her unique perspective on the triumphs and failures of our ancestors. One of the most memorable sections of the film is Izzard's account of the construction of Stonehenge. She presents a series of fantastical theories about the purpose of this prehistoric monument, humorously speculating about the possible motivations of the people who built it. From the idea that Stonehenge was used as a gigantic astronomical observatory to the notion that it was a site of human sacrifice, Izzard's account is a sidesplitting romp through the realm of speculation and theory. Next, Izzard tackles the birth of the Church of England, presenting a wickedly humorous take on the establishment of the Church as a means of consolidating power and suppressing dissent. She pokes fun at the absurdities of the early Christian church, pointing out the way in which power was concentrated in the hands of a select few, and highlighting the often-brutal measures taken to suppress alternative viewpoints. As the show builds towards its conclusion, Izzard turns her attention to the theme of identity, reflecting on how her own experiences as a transvestite have shaped her perspective on the world. She discusses the difficulties of navigating a society that often rejects people who don't conform to traditional norms, but argues that this very diversity is what makes human civilization worth celebrating. The film's final section sees Izzard launching into a rousing call to action, urging her audience to work towards a more inclusive and accepting society. With characteristic passion and conviction, she advocates for the recognition of alternative identities and the empowerment of marginalized groups. It's a powerful conclusion to an already extraordinary performance, leaving the audience in awe of Izzard's unwavering commitment to her ideals. 'Dress to Kill' is more than just a stand-up comedy routine – it's a rich tapestry of humor, history, and self-expression. With its innovative format, Izzard's characteristic wit, and a keen eye for detail, this film has become a classic of the genre.