The Police vs Grime Music - A Noisey Film

The documentary film, A Noisey Film, centers around the clash between the London Metropolitan Police and the UK's grime music scene, particularly in relation to the Form 696 risk assessment procedure. Born as a seemingly innocuous safety measure aimed at curbing crime, the application process for live music events became a contentious tool used to stifle creativity and restrict freedom of expression. The crux of the matter begins with Form 696, a form that requires music event organizers to disclose a range of details including the type of music to be played, the expected number of attendees, and information about the artists performing. The form also requests details about the event's security arrangements, which some argue is overly restrictive. Proponents of Form 696 claim that it helps the police mitigate potential risks associated with live events, such as violence, property damage, and other security concerns. However, many grime artists and event organizers argue that the form has been grossly misused as a tool for police to exert control over the live music scene. As the film explores the situation, it highlights a worrying trend of police interference in the grime music scene. The cancellation of Just Jam's event at The Barbican, as mentioned, serves as a prime example. This incident prompts grime artist Kano, who had been booked to perform at the event, to take action. Feeling stifled and frustrated with the constant interference from the police, Kano decides to join forces with other grime artists and Just Jam organizer, Jamie, to fight against the perceived injustice. Together, they begin to investigate the background of Form 696 and the true motives behind its implementation. A Noisey Film delves into the historical context of Form 696 and its origins. The process was initiated by the Association of Chief Police Officers (ACPO) in 2004, supposedly to mitigate risks associated with live music events. The form is designed to provide the police with essential information about events, allowing them to assess potential risks and make informed decisions about providing necessary security resources. However, the documentary suggests that the situation on the ground is more complex. Many grime artists feel that the police are targeting their community specifically, enforcing Form 696 more aggressively and arbitrarily. The consequences for those who fail to comply with the form are dire: events can be cancelled or put on hold indefinitely. Through interviews with influential figures in the grime scene and in-depth analysis of the current situation, A Noisey Film sheds light on the long history of systemic racism and prejudice that has affected the UK's black community, which is deeply intertwined with the grime music scene. The documentary's title, 'A Noisey Film,' reflects the genre of music its subject is rooted in, while also highlighting the growing frustration and anger of the grime artists and their supporters. This title serves as a testament to the resilience and determination of those fighting for their right to create, perform, and share their music without excessive police intervention. A Noisey Film also examines the role of the police and their relationship with the grime community. Rather than working to build trust, the authorities often appear to be reinforcing existing stereotypes and fuelling tensions. As Kano navigates this complex landscape, he is joined by other influential figures in the grime scene, including grime artist and activist, Stormzy. Together, they challenge the notion that Form 696 is a necessary tool for public safety. Through their experiences and observations, the narrative reveals how the police's heavy-handed approach has stifled a vibrant cultural movement. In the end, A Noisey Film paints a damning portrait of a system that is supposed to serve and protect but has been perverted to serve its own interests. The grime artists featured in the documentary show remarkable resilience in the face of adversity, refusing to back down despite the seemingly insurmountable obstacles they face. Through their struggles and triumphs, A Noisey Film reminds the audience of the significance of grime and its relevance to contemporary British society. The film ends on an optimistic note, suggesting that change is possible if collective action is taken to challenge discriminatory practices and promote greater understanding and trust between the police and the communities they serve.