A Well-Crafted Spanish Horror That Prioritizes Atmosphere Over Originality
In 1969, an English single mother, fleeing her psychopathic husband, relocates to America with her four children. Tragedy strikes when she falls ill and passes away, leaving her children in a precarious situation. Fearing separation into foster care if they report her death, they decide to conceal it. Their only hope is to survive until the eldest, Jack (George MacKay), turns 21, enabling him to become their legal guardian. However, their forced isolation is constantly threatened by the presence of a “ghost” seemingly connected to mirrors.
The Spanish have undeniably carved a niche for themselves in the horror genre, consistently delivering chilling tales that resonate internationally. With a wealth of talented filmmakers like Alejandro Amenábar, Jaume Balagueró, Paco Plaza, and Juan Carlos Fresnadillo, Spain has become a breeding ground for horror innovation. Even Guillermo Del Toro, though Mexican, filmed his acclaimed “The Devil’s Backbone” and “Pan’s Labyrinth” in Spain. Sergio G. Sánchez, the director of “Marrowbone,” is another Spanish talent. While relatively new to directing, he’s a familiar name to genre enthusiasts, having penned the screenplays for Juan Antonio Bayona’s (another Spanish horror maestro) “The Orphanage” and “The Impossible.”
“Marrowbone” is a Spanish production filmed in English with a Western cast. The casting choices are noteworthy, featuring talents like Mia Goth from “A Cure for Wellness,” Charlie Heaton from “Stranger Things,” and Anya Taylor-Joy, who gained recognition from “The Witch” and “Split.” The plot bears similarities to another English-language project by a European director (name withheld to avoid spoilers). Once you recognize the connection, the final twist becomes somewhat predictable. However, “Marrowbone” can be appreciated as a stylish exercise, blending European-inspired gothic elements with the golden-hued, provincial American setting.
Embracing the Slow Burn
Before watching “Marrowbone,” prepare for a deliberately paced film that gradually builds its atmosphere. Its effectiveness lies in its slow burn, eschewing jump scares and orchestral stings in favor of an enveloping sense of despair and suppressed tragedy that permeates every corner of the dilapidated house. The Spanish sensibility is a definite asset, contributing to the film’s satisfying aftertaste.
Flaws and Final Thoughts
While “Marrowbone” has its shortcomings – the central secret isn’t deeply hidden, and the director doesn’t effectively distract from the revelation – it remains a worthwhile genre entry. The role of Anya Taylor-Joy and her romance with Jack feel underdeveloped, despite their relationship being crucial to the story. Nevertheless, the film remains in the positive zone of the genre spectrum. It’s an easy watch, successfully balancing atmosphere with engagement, offering a heartfelt, if not entirely original, “scary tale” that holds up well even on repeat viewings.