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Some people always think they're birds.

The enigmatic cameo of Tony Leung in the film's epilogue is arguably one of its most discussed and analyzed elements. It deliberately avoids easy answers, lending itself to multiple interpretations that resonate throughout the film's themes. Here are a few possibilities: * **A Cycle Beginning Anew:** The scene implies a new iteration of the playboy archetype. Is he another "Yuddy" in the making, destined to repeat the same patterns of charm, detachment, and heartbreak? It suggests the story is not truly over, but rather a recurring cycle. * **The Impossibility of Escaping Character:** It could also mean that certain personalities or fates are inescapable. Perhaps some men are simply wired to be restless wanderers, incapable of settling down, regardless of the consequences. * **A Hint of the Future:** Knowing Wong Kar-wai's future filmography, the scene might be a seed planted for a future film (possibly *In the Mood for Love*). Tony Leung's character here has a certain air of elegance and suppressed emotion that foreshadows some of his later roles. * **The Essence of Coolness:** The final appearance of Tony Leung in the movie is seemingly detached to the rest of the film, but if we look at the underlying substance, we can see that he is in fact representing the ultimate essence that the director is yearning for throughout the film: The coolest, ultimate playboy who can maintain his cool under any scenario. Ultimately, the meaning is left open. It's an invitation to ponder the nature of character, fate, and the possibility (or impossibility) of change. The allure of that ending lies in its ambiguity and the questions it raises about the characters and the world they inhabit.

While I may not fully grasp everything, Leslie Cheung in this film is utterly captivating.

The world changes, people drift apart. Do you still remember that one second? And who did you truly love the most? Andy Lau pales in comparison to Leslie Cheung in this film.

Johnnie To once said that Wong Kar-wai essentially made only this one film: prototypes of characters in his later works can all be found here, and the recurring theme is always interpersonal communication – alienation and intimacy, rejection and acceptance, pursuit and loss, oblivion and remembrance, escaping one's homeland and searching for freedom.

Yuddy's reckless journey unravels a poignant exploration of identity and belonging. Wong Kar-wai's distinctive direction captures the essence of 1960s Hong Kong, as Yuddy's quest for truth transforms him from a carefree playboy to a complex, vulnerable individual. Leslie Cheung's nuanced performance brings depth to the protagonist, making his ultimate epiphany all the more heart-wrenching. A timeless, melancholic tale of self-discovery.