รันอะเวย์

Tsai Ming-liang's script, the overall production even rivals Kurosawa's "Seven Samurai" in some aspects. It's a blend of finesse and rawness, tender and desolate. A severely underestimated gem in Chinese-language wuxia cinema.

Who wouldn't fall for the man who brutally raped them in the woods?

A common ailment in Taiwanese historical dramas: individual dramatic expression deviates from historical authenticity. Moreover, it suffers from a lack of originality. This film feels like a mishmash of Akira Kurosawa and Hideo Gosha.

Like a soaring eagle, yet unable to find a tree to perch upon; like the clouds at the bottom of a rainstorm, yet unable to find a valley to rest within; like the fallen leaves of an autumn forest, yet unable to find earth to be buried in.

In "Runaway," we witness both the traditional Wang Tong and the innovative Wang Tong. The "realism" of "Runaway" embodies both its classical nature and its modernity. In fact, it challenges the "classical aesthetic" that audiences have come to expect.

The gripping tale of a policeman unraveling a robot conspiracy in a dystopian world highlights the thin line between human and machine, with a chilling exploration of artificial intelligence's potential to turn synthetic life into a lethal threat.

Runaway is a gripping tale of a future where malfunctioning robots become a deadly threat. A police officer discovers a robot programmed to kill, unraveling a sinister plot to create killer machines. Keep you on edge and make you think about humanity's darker side.