เจ้าสาวสวมชุดดำ

The female revenge theme is executed with precision: systematically finding and eliminating five culprits. The film peels back the layers of the crime like an onion, revealing the reasons behind each murder in the first three cases, culminating in a complete explanation exactly 60 minutes in. The remaining 40 minutes are dedicated to watching her confront the last two perpetrators. Perhaps too much attention is given to the fourth target; her posing as a painter's model... is it an attempt to subtly express budding affection? The structure is captivating, seemingly a deliberate homage to Hitchcock's suspense theory. The film features five distinct methods of revenge, but in an attempt to create drawn-out suspense, it interjects many everyday scenes, resulting in a somewhat slow pace. While not as stylized as Chor Yuen's "Intimate Confessions of a Chinese Courtesan" (1972), the film displays a more intense thirst for revenge from the personal wrongs suffered.

Avenge lady, she is a reaper. As the story unfolds, we see her meticulously planning and executing her revenge, driven by the loss of her groom on their wedding day. This is a classic French thriller technique – a slow burn that tantalizes with anticipation before delivering a swift, satisfying dose of death. A woman's heart is a deep ocean. It's always best to be wary of charming beauties; behind their smiles may lurk a terrifying visage.

One of Truffaut's best, an abstraction of action.

At the very least, his films are never dull.

Truffaut pays homage to Hitchcock, with Moreau transforming into a vengeful woman battling five scoundrels. The organizational structure of Quentin Tarantino's *Kill Bill* feels like a tribute to this film. Truffaut draws heavily from Hitch here, evident in the staging of the scene where the child is followed and in the editing of several reaction shots that are distinctly Hitchcockian.