แผนการฟินีเซียน

Wes Anderson, with his signature postcard-perfect mise-en-scène, an additive textual strategy bordering on information overload, and a mannered, almost mechanized style of performance – a formula that, at this stage, yields little in the way of genuine surprise.

Likely Wes Anderson's most "mainstream" work since The Grand Budapest Hotel. The clear and direct main plot and core emotional relationships lower the entry barrier, but still burst with kaleidoscopic visual efficiency and creativity. The shift between tragic and comedic tones remains fluid (and overlapping, like the sudden elements of graphic violence), with all-around "beauty" on every level (though I still prefer The French Dispatch and Asteroid City).

A 100-minute IELTS visual reading comprehension exercise😴

Wes Anderson should invest in POP MART rather than keep writing about his ingenuous boy & rebellious woman & old fart dad stories.