“Kingsman in a Skirt”: A Comedy Rich in Action and Inventive Supporting Roles
“Spy” is a comedy that isn’t consistently hilarious but is packed with action and features a brilliantly inventive supporting cast. Melissa McCarthy shines, proving to be a major asset to the film.
Susan Cooper is the CIA’s most valuable asset, but her work goes unnoticed. She works in operational support, assisting field agents. While her guidance is crucial for their daring missions, the glory always goes to the handsome spies in tuxedos. But this time, things are different. A miniature nuclear bomb is about to fall into the wrong hands, and the seller knows every American agent’s face. With seasoned professionals unable to approach the enemy, Susan Cooper, the least likely spy, is sent to prevent disaster. Her unassuming nature becomes her greatest advantage.
“Spy” marks the third collaboration between director Paul Feig and Melissa McCarthy, following “Bridesmaids” and “The Heat.” Rose Byrne, also from “Bridesmaids,” joins the cast.
Regardless of personal opinions on Melissa McCarthy, her career is undeniably phenomenal. Not long ago, she would have been overlooked, but now she stars alongside A-list actors, causing envy among her peers. What’s her secret? There’s no simple answer, but some pieces of the puzzle are visible. Firstly, McCarthy perfectly embodies the average American – slightly overweight, outspoken, yet self-aware. Secondly, she possesses genuine comedic talent. And thirdly, Paul Feig’s unwavering support as writer, producer, and director is remarkable. All three elements are present in “Spy,” ensuring a hilarious experience.
The film taps into a universal desire: to be a spy. Who hasn’t dreamed of wielding incredible gadgets, shooting with precision, fighting effectively, and charming their way through dangerous situations? Susan Cooper lives out this dream, albeit with humor, mishaps, and setbacks, transforming her mundane life into an exciting adventure. It’s a message for couch-bound Americans and their international counterparts.
The film is set in Paris, Rome, and Budapest, but various districts of the Hungarian capital served as the backdrop for these European cities.
A Nod to the Spy Genre
The humor in “Spy” goes beyond slapstick and fat jokes. The filmmakers cleverly reference classic spy films. James Bond is present in every frame (including the opening credits and theme song), Jason Bourne inspires the street chases and fight scenes, the amateurism of “True Lies” drives the plot, and even “Kingsman” gets a nod. Fans of spy movies will be delighted. McCarthy fits in well, but she has her limitations.
McCarthy needs strong support to shine. Whether it’s Jason Bateman in “Identity Thief” or Sandra Bullock in “The Heat,” she thrives when bouncing off other talented actors. In “Spy,” she has an exceptional supporting cast that allows her to truly sparkle. Jude Law plays an irresistible, elegant spy, while Jason Statham delivers hilarious monologues about his past missions. Cooper faces off against Rose Byrne as the villain and Morena Baccarin as a rival spy. Allison Janney commands the CIA, Bobby Cannavale briefly reprises his role from “Boardwalk Empire,” and Peter Serafinowicz is delightful as a con artist who tricks Susan with tales of “Downton Abbey.” This ensemble is so fantastic that McCarthy simply needs to avoid ruining the fun, which she successfully does.
A Girl-Power Spy Flick
The film is undeniably female-centric: a female spy, led by a female director of intelligence, with the help of a female operator, tracks down a female villain. Feminism has clearly triumphed. But we’re not complaining; beautiful (or at least funny) women always enhance a film. The only minor issues are the occasional reliance on toilet humor and the unnecessary (and unmotivated) nudity. These can be addressed in the sequel, which is a must. There are still plenty of villains to neutralize, enough for a dozen Melissas.