Maryland

あらすじ
Maryland is a 2021 drama film that delves into the traumatic experiences of its two protagonists, Mary and Mary, as they navigate the aftermath of being sexually assaulted by the same perpetrator. The story begins at a police station, where the two women meet by chance, sharing a common bond of having been brutally violated. The narrative is skillfully woven with the assistance of an empathetic police constable, Constable, and his colleague, who seek to provide the necessary support and guidance to the victims. Throughout their journey, Mary and Mary are accompanied by the Furies, an enigmatic and haunting chorus of murdered women whose presence is only visible to the audience. These ghostly figures offer poignant commentary on the dark reality that the victims are facing, serving as a powerful reminder of the tragic and devastating outcomes that can befall women who suffer at the hands of violent individuals. As Mary and Mary grapple with the trauma they have experienced, they must endure the insensitive and often dismissive attitudes of those around them, including the men in their lives. This portrayal highlights the societal failings that enable these crimes to occur and hinder the victims' attempts to seek justice. The movie's script is infused with sharp wit and dry humor, providing a much-needed respite from the darkness that pervades the narrative. Through the characters' experiences, the film sheds light on the harrowing process of seeking medical attention, reporting the crimes, and facing the justice system. This portrayal serves as a scathing critique of the institutional responses to sexual assault, revealing the numerous barriers and biases that can prevent victims from receiving the support they need. The film's emphasis on these systemic issues underscores the importance of creating a more supportive and responsive environment for survivors. One of the standout aspects of Maryland is its non-linear storytelling approach, which seamlessly interweaves the various perspectives and narratives. By using this structure, the film creates a sense of disorientation and unease, effectively capturing the disorienting experience of being a victim of assault. The narrative meanders through fragmented memories, hospital visits, and emotional conversations, giving the audience a glimpse into the complexities of trauma and recovery. The characters in Maryland are multidimensional and relatable, with their own unique struggles and perspectives. Mary, played by one of the actresses, is portrayed as a sharp-witted and determined individual, who refuses to be silenced by her experiences. Her relationship with Mary, another actress playing her counterpart, is nuanced and authentic, capturing the difficulties of forming connections with others after trauma. The police constable and his colleague serve as much-needed supports, offering a respite from the overwhelming trauma that the victims are facing. The acting performances in Maryland are exceptional, bringing depth and nuance to the characters. The actresses playing Mary and her counterpart deliver powerful performances, capturing the trauma and resilience that their characters embody. The supporting cast, including the police constable and his colleague, provide a much-needed sense of stability and empathy, underscoring the importance of human connection in times of crisis. Ultimately, Maryland is a film that demands attention and reflection, offering a searing exploration of the world that victims of assault inhabit. The narrative is both heart-wrenching and infuriating, highlighting the systemic failures that allow these crimes to occur and persist. By shedding light on these issues, the film serves as a vital call to action, underscoring the need for greater compassion, understanding, and support for survivors of sexual assault.
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