Bring Her Back

Bring Her Back

Plot

In the 1997 psychological horror film Bring Her Home (also known as House of Whispers), a brother and sister, Karen and Eddie Russell, return to their home after 15 years, following the sudden death of their drunken father. Their adoptive mother, Molly Russell, and her new husband, Norman, reside in the old mansion. Molly and Norman reveal that they have adopted a six-year-old child named Emily. As the family reestablishes connections, Karen, who is strong-willed and fiercely protective of her younger brother, begins to feel uneasy about their father's death and Molly's new husband. The house, despite an attempt to renovate it beautifully, seems stagnant, and Molly seems to be watching her children with a fierce intensity. Furthermore, every introduction to Emily is accompanied by apparent fear, as she claims Emily to be extremely emotional and quiet, indicating something is amiss. Karen soon uncovers letters among her mother's belongings that suggest a tragic tale of infidelity and loss. Her mother claims she struggled with emotional disorders. Meanwhile, Karen finds inconsistencies in Molly's explanation of Emily's past, which reveals a faint suspicion of Emily being an adopted replacement. Molly starts to let her guard down, and in her drunken slurs, she inadvertently hints about Eric, her drunkard husband who died after falling off a roof at their family-owned home. When confronted by Karen, it becomes clearer that Eric hid the dark truth behind Molly's pregnancies. Molly and Eric were not married, but they had a deep relationship and were at some point in an intimate relationship, until they split. It is also soon learned that Molly had Emily adopted secretly, keeping the truth hidden from Eric. The family man, who desperately desired protection and had extreme feelings for children at the time of learning he was told he couldn't adopt, witnessed his wife secretly having a 'son and daughter' in their lifetime. Eric became frustrated with the idea of not having a child in his life and therefore decided not to come back where they used to live. Then under depression, shortly fell to his death. They must now pretend he is truly dead, and have his remaining children raised elsewhere. That raises some questions for Karen about why they had Emily adopted. Molly becomes increasingly paranoid as Karen starts to get closer to the family's mysterious world. In an attempt to shield Emily from the truth, Molly claims that she died while in a pre-adoptive foster home. Molly mentions that Emily is just what she needed at her period after losing her husband, which creates an alarming image. The sibling relationships grow tense as the sibling begins investigating further into their father's mysterious death at their aged house and attempts to verify Emily's true identity. Just as all seems to explode, Eric is spotted on the roof of their mansion by Karen. Then he stumbles in, in a hanged-up-outside posture. Later scenes depict Karen to be in a 'tragic' state. A glimpse appears, which suggests Eric in fact wasn't hanged at the said mansion. After Molly leaves, the young boy attempts to protect his sister. The children hear the cry of Eric, but he disappears, strongly hinted for possibly faking his own death.

Bring Her Back screenshot 1
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Reviews

R

Riley

"Horror" and "warmth" (maternal love) act as a pair of forces that simultaneously pull and bind together, constantly stirring the audience's emotions throughout the film. The Philippou brothers (directors) don't lean towards either extreme. Instead, they use the undercurrent created by a sinister ritual to invite viewers to gradually approach the hearts of each character, peeking into their secrets, yet being warned not to project excessive empathy. A strong sense of motherhood/obsession resembles a cursed ring, tightly binding the living and the dead; the harder you try, the more difficult it is to escape its restraints, ultimately plunging into an irredeemable hell. Thus, the moment the audience begins to sympathize with the mother's actions to bring back her beloved daughter...

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6/20/2025, 10:24:58 PM
A

Astrid

Another A24 horror film that's peak A24, hitting all the classic tropes the memes make fun of. I'm so over narratives where women are driven mad by motherhood; male creators really seem to have no clue about female pain. Sally Hawkins is gold.

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6/18/2025, 3:27:03 AM
S

Sadie

Continuing the teen perspective reminiscent of *Talk to Me*, this film tackles the tragedy born from domestic violence, intergenerational trauma, and emotional manipulation. It's a significant step up in maturity from its predecessor, especially in its refined cinematography. Attention to detail is evident in the shots, and the use of circular elements subtly hints at the characters' self-imposed confinement. The visual impairment is also a cleverly employed motif. The gory sequences are relentless, depicting remarkably detailed and visceral physical pain, which elevates the horror, particularly because it is inflicted on minors. Sally Hawkins delivers an outstanding performance, and the young cast members hold their own admirably. While the subject matter might not be entirely new...

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6/17/2025, 5:28:42 PM
S

Sadie

The most accomplished A24-esque horror film in recent memory. Overall, it surpasses the director's previous work, "Talk to Me," in terms of quality. The visual style is more mature, with excellent composition and color. However, Sally Hawkins' performance is definitely the decisive factor in the final quality of this film. Known for her heartwarming maternal roles, she manages to deliver such a hysterical and terrifying performance here, yet the little bit of compassion that ultimately shines through rounds out the arc of the character Laura. It’s truly a textbook example of acting. However, the plot is a bit too simple. There was potential to delve deeper into Andy and the father...

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6/17/2025, 10:17:22 AM
H

Harmony

From bloodshed at the beginning to tears at the end.

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6/16/2025, 1:00:02 PM