Criss Cross

In the 1949 American film noir, Criss Cross, Burt Lancaster stars as Steve Thompson, an armored car guard who falls deeply in love with Anna, played by Yvonne De Carlo. The charming and seductive Anna, who works as a nightclub singer, has left Steve and married a notorious gangster named Dixie Parker, played by Stephen McNally. Despite their tumultuous past, Steve finds himself drawn to Anna once more when he receives a distressing call from her while on a job transporting a large shipment of cash. Anna's phone call alerts Steve of her perilous situation, as Dixie has grown increasingly possessive and violent. Steve agrees to meet Anna at a secluded spot, but upon arrival, he is met by Dixie himself, who forces Steve to give up the keys to the armored car. Steve's world is turned upside down as he is caught in a situation beyond his control. Dixie and his accomplices take the armored car and its occupants to a deserted warehouse where they execute a brazen heist. Unbeknownst to Steve, one of the gang members is actually a close friend from his past, Martin, played by Dan Duryea. As the heist unfolds, Steve finds himself drawn into the gang's operation, albeit reluctantly. With his reputation as an armored car guard on the line, Steve feels a sense of responsibility to expose Dixie's nefarious plans and clear his own name. He enlists the help of Martin, who seems to possess a soft spot for Steve, to sabotage the operation and ensure the gang's downfall. However, as the heist continues to escalate, Steve finds himself facing a web of intricate deceit, betrayal, and violence. His love for Anna becomes entangled in a complex triangle with Dixie's increasing hostility and the danger that follows. Meanwhile, Martin proves to be a double agent, further blurring the lines of loyalty and deception. Director Robert Siodmak masterfully weaves the intricate plot threads, setting the atmosphere for a gripping and suspenseful ride through the dark underbelly of post-war Los Angeles. Siodmak's use of shadows, lighting, and composition adds an unmistakable visual flair to the film, immersing the viewer in the world of Criss Cross. As the story unfolds, Steve is faced with the harsh realities of his situation. Dixie will stop at nothing to silence Steve and anyone else who dares to interfere with his operation, including Anna, who Dixie's possessiveness has become increasingly suffocating for. Against this backdrop of danger and deception, Steve must use his cunning and resourcefulness to unravel the intricate web of relationships, alliances, and rivalries that threaten to destroy him. With a gripping storyline full of twists and turns, Criss Cross holds viewers on the edge of their seats as they follow Steve's desperate attempts to salvage his relationships, escape the gang's clutches, and bring Dixie to justice. Ultimately, the film's conclusion is both tragic and redemptive, as Steve's determination to protect Anna and himself culminates in a dramatic showdown with Dixie and his accomplices. This film noir classic has captivated audiences for generations with its gritty realism, captivating performances, and haunting imagery, making Criss Cross a timeless and unforgettable tale of love, loyalty, and betrayal.