Here After

Plot
"Here After" is a 2010 horror-thriller film that tells the unsettling story of a mother-daughter relationship strained by the mother's paranoia. The film takes center stage in the complex relationship between Jeanne and her teenage daughter, Pier, after Pier has a near-death experience. The story begins with Jeanne and Pier struggling to connect with each other as Pier becomes increasingly reclusive. Pierre Le Tessier, their well-intentioned uncle, tries to intervene and bridge the gap between Jeanne and Pier. He reminds Jeanne that Pier's behavior might be normal after the traumatic experience she had. However, Jeanne remains unconvinced, speculating that Pier has 'brought something back' from the 'other side.' As things escalate and Pier becomes increasingly paranoid, Jeanne starts suspecting that Pier indeed brought something malevolent back. People begin to act strangely around Pier, making small animal noises, behaving erratically, and often staring into space without any emotion. This unsettling atmosphere creates tension, as Jeanne starts to investigate further into the supernatural activity occurring around Pier. One day, after visiting her friend Colette, Jeanne becomes convinced that the malevolent presence that seems to have followed Pier has started acting violently. That evening, after watching some news coverage of cannibalism, Jeanne finds Pier with an unsettling and unexplainable expression, as if the expression was some sort of 'connection.' This intensifies Jeanne's paranoia and concern. Determined to help Pier, Jeanne invites Pierre's expertise to monitor Pier and determine if her behavior was a coincidence or genuinely supernatural. Gradually, the lines of Jeanne's perceptions start to blur. She starts suspecting everyone and everything around her, her family, friends, including the man that captured her life for that mysterious woman on television. Throughout the movie, flashes of haunting images intermingled with cruel, and often horrific, episodes of the duo's disconcerting interaction deepen the film's sense of fear and foreboding. Their confusing relationships strain the norms that Jeanne and Pier once shared. Eventually, as you watch the connection between Jeanne and Pier, a rather disturbing secret unravels. The tension is relieved somewhat with revelations about Pier's near-death experiences. Her trauma has, in all probability, unleashed this state of chaos or malevolence within her. Or not? One piece of evidence keeps on spiraling at a frantic pace until that ominous fate that awaits Pier becomes a reality.
Reviews
Scarlett
The opening disaster sequence finally justifies the film's Oscar nomination for visual effects – truly stunning. However, the three interwoven storylines don't quite achieve a magical chemical effect, instead weakening the plot and emotional impact. At over eighty years old, Eastwood, in this film, seems to be exploring his own future rather than simply telling a story about humanity and emotion.
Vivian
Clint Eastwood's storytelling pace grows ever more deliberate, and this time he juggles three slowly developing parallel narratives. After two hours of waiting, the story's climax proves disappointingly bland, even laughable. Only the young boy's tears manage to evoke any genuine emotion. The film's opening act, however, is quite strong, delivering a thrilling disaster sequence that doesn't overshadow the narrative. The early atmosphere of sadness and isolation is also masterfully created. Sadly, as the plot meanders, the emotional resonance fades, leaving very little impact by the end. Ultimately, it's the underwhelming script that lets the film down.
Lucas
This story champions the idea that like should marry like – a psychic absolutely needs to find a fellow psychic.
Raelynn
No surprise, it's a Clint Eastwood film! P.S. I just finished watching this last night, and then a tsunami actually hit Japan today...
Mabel
For the final encounter that lasts less than 30 minutes, the film spends three-quarters of its runtime on setup, which feels truly lengthy and convoluted. Moreover, the three storylines offer almost no clues or hints about how the characters are connected, making the viewing experience quite depressing. I still miss the Eastwood who told solid, grounded stories. However, it's also a pleasure for fans to see an accomplished veteran like him, unburdened by the need for acclaim, occasionally dabbling in something different in his twilight years.
Recommendations
