Lights of New York

Released in 1928, Lights of New York is an early talkie, considered a landmark film in the history of cinema. Directed by Bryan Foy, it boasts the distinction of being the first feature-length film shot entirely on the East Coast of the United States. Eddie (played by Eddie Kearney) gets embroiled in a web of deceit when a local gangster names Mugsy (played by Pat O'Brien) convinces him to front a speakeasy, a nightclub that operates outside of the law. This type of establishment thrives in the Prohibition era by serving liquor despite the national ban. At first, it seems like a lucrative opportunity for Eddie. Mugsy promises him a cut of the profits, and Eddie sees a chance to make some money. However, things take a dark turn when Mugsy orders Eddie to make a killing – literally. A police officer named Kelly (played by Richard 'Old Timer' Carlyle) must be murdered to further Mugsy's interests. The problem arises when Eddie is set up to take the fall for Kelly's murder. As the story unfolds, Eddie discovers that he is merely a pawn in Mugsy's game of deception and double-crossing. One of the most intriguing aspects of Lights of New York is its use of a pre-recorded soundtrack. At the time, this was a novel way of creating background music and sound effects. Many scenes feature a live orchestra or a solo musician playing music, and these soundtracks add to the overall atmosphere of the film. When compared to other films of the era, Lights of New York shows great potential for narrative development through its use of sound. The dialogue in Lights of New York is a mix of slang and standard language, adding to the authentic portrayal of Prohibition-era slang. The film also uses various musical styles and performances, showcasing the jazz of the time. However, the acting is somewhat stilted, a common trait of early talkies as actors and actresses struggled to adapt to the change from silent films. Mugsy's character acts as the driving force behind the plot, with Eddie becoming increasingly entangled in his nefarious plans. Mugsy is portrayed as cunning and ruthless, with absolutely no qualms about using violence or betrayal to achieve his objectives. Eddie, on the other hand, is portrayed as more sympathetic – someone who is trying to make a living and gets caught up in Mugsy's schemes without any ill intent. Throughout the film, the themes of crime, deception, and ultimately loyalty emerge. Eddie's situation becomes a commentary on the harsh realities of the Prohibition era, a time where one misstep could lead to dire consequences. Mugsy exploits Eddie's gullibility and uses his good fortune to further his own interests, highlighting the consequences of trusting the wrong people. Ultimately, Eddie manages to outsmart Mugsy, and the film concludes with Eddie emerging on top. While the ending might seem a bit contrived, it provides an uplifting conclusion to the narrative. Considering its influence on the early talkie movement and the unique circumstances under which it was filmed, Lights of New York is a film worth noting in the history of cinema.