Moneyball

Plot
Based on the true story of the Oakland Athletics' 2002 season, 'Moneyball' is a captivating film that delves into the unorthodox methods employed by General Manager Billy Beane to assemble a competitive baseball team despite the confines of a limited budget. Directed by Bennett Miller, the movie brings to life the remarkable tale of Beane's (played by Brad Pitt) quest to defy conventional wisdom and redefine the way teams evaluate and recruit players. In 2001, the Oakland Athletics secured a dismal 20-100 record, the worst in the American League. It was an unmitigated disaster, with major changes needed to revive the franchise. Billy Beane, a fiery and determined GM, was convinced that the market-hailing factors currently influencing player drafts and evaluations were grossly overrated. Intrigued by the innovative mathematical techniques pioneered by a 36-year-old Yale graduate named Peter Brand (played by Jonah Hill), Beane invited Brand to join the Athletics as his assistant GM. Brand was an unconventional expert with a penchant for using advanced statistical analysis to assess player performance. Armed with this comprehensive data and backed by Beane's drive for change, the duo embarked on an ambitious mission to craft a winning formula. They boldly rejected established norms, scrutinized past draft choices, and ultimately made a groundbreaking decision to augment the Athletics' roster by focusing on undervalued, underappreciated players whose stats dictated they might perform above expectations. Beane's original intention was to break the organization's recent patterns of neglecting local stars and miscalculating young talent. He resolved to address the team's shortcomings through calculated player recruitment, not chasing trend-setters with high-profile names or the supposed big-ticket potential. The mantra of this new dynamic became known as 'Value Via Replacement Player' or 'VORP.' The movie masterfully captures the initial animosity from veteran players and coaches toward the sudden implementation of these changes. Dugout skepticism was often vociferous, with some calling Beane's strategy eccentric, a radical and unrealistic system of evaluating talent. But Beane and Brand persisted, propelled by Beane's fervent conviction that traditional baseball sentiment holds far too much sway. Incredibly, the results became rapidly clear: the Athletics started regrouping as an underdog in the division. The numbers indicated that the prospects pinpointed by Beane and Brand stood out. Beane stood firm, pushing his case for this intriguing approach after many tried to take drastic action against it. The on-field triumph against Washington's Nationals and other higher-ranked teams in the American League, more astoundingly beat the 1998 eventual AL champion and repeat winner for a year, the New York Yankees in a series of matches that held historical upset records. Though ultimately falling short of winning the division title in what they, Beane and the new franchise starters envisioned to be as a division winner title, the impressive return sealed the validation for Beane and Brand's approach. The year 2002 also witnessed Beane face bitter debates and the challenges within the baseball market, displaying the severe criticism and immense skepticism he encountered on the decision. The "moneyball" debate now captured America's sports spotlight, inviting in-depth evaluations by sports analysts and industry professionals, as a matter of fact. Defending this winning philosophy in light of the initial public backlash and backlash from rival teams took hard leadership.
Reviews
Taylor
Just saw the premiere, and it's damn near a five-star film. It avoids sentimentality and pretension, and even with a limited understanding of baseball, it still manages to bring tears to your eyes, make your nose tickle with emotion, and get your blood pumping. The soundtrack and editing are spot on, and Brad Pitt delivers a fantastic performance – no hysterics, just potent, understated intensity. Oscar for Best Actor seems entirely possible. And of course, his daughter's song, Lenka’s "The Show," is simply perfect. It's brimming with classic Oscar sensibilities and that distinct American spirit, making it another unique and outstanding entry in the sports genre.
Josiah
Okay, I understand. Here's an English translation of "有点get不到美国人的point。。。皮特好老了啊" which aims to capture the sentiment while sounding natural to an English speaker familiar with the movie: "I'm not really connecting with what Americans see in this movie... and Brad Pitt's really showing his age."
Willow
Brad Pitt delivers a fantastic performance in this inspiring and well-rounded film. Though, in a slightly jarring note, Lenka's song from 2009 somehow makes an appearance in a movie about 2002. Oh well, inaccuracies aside, just enjoy the show!
Micah
What truly resonated with me was the poignant ending, echoing a similar sentiment in "The Social Network." We can't simply judge Billy Beane's final choice as right or wrong, just as we can't evaluate Mark Zuckerberg with a simple yes or no. Only they truly understand what they've lost and gained. Perhaps, most of the time, we're merely puppets in the hands of life, and all we can do is enjoy the show.
Kiara
He didn't even know he'd hit a home run.
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