Rurouni Kenshin: The Beginning

Plot
In feudal Japan, a country plagued by civil war and bloody conflict, there existed a legendary assassin known as Battosai. His true name was Kenshin Himura, a skilled and deadly fighter who wielded an enormous blade with precision and fury. Battosai, also known as the "Hitokiri Battosai" or "Slashing Battosai," was feared and respected by his enemies, and his name became synonymous with death. The year is 1868, and Kenshin is at the height of his power, working as a hitman for a group of bandits and assassins known as the Oniwaban. As a member of this group, Kenshin is tasked with eliminating threats to their organization and carrying out contracts for various clients. However, beneath his tough exterior, Kenshin harbors a deep sense of disconnection and isolation. He is haunted by the memories of the people he has killed, and struggles to find meaning in his existence. One day, while on a mission to eliminate a group of rebels, Kenshin encounters a young woman named Tomoe Yukishiro. Her beauty and innocence are like a beacon of light in the darkness of Kenshin's world, and for the first time in his life, he begins to feel a glimmer of hope. Tomoe is an extraordinary soul, with a strength and resilience that belies her fragile appearance. As Kenshin and Tomoe's paths continue to cross, they form a tentative bond, one that begins to chip away at Kenshin's hardened exterior. Tomoe, like Kenshin, wears a mask to hide the pain and anguish she has endured in her past. She is a former captive of the Japanese authorities, who subjected her to unimaginable cruelty and torture. Despite the trauma she has suffered, Tomoe's spirit remains unbroken, and she becomes a source of inspiration and guidance for Kenshin. Through his interactions with Tomoe, Kenshin begins to question the values and morals he has lived by as a hitman. He sees the harm and suffering he has caused, and starts to grapple with the moral implications of his actions. For the first time in his life, Kenshin starts to confront the darkness within himself, and ponders the possibility of redemption. However, their blossoming relationship is threatened when a group of bandits, known as the Oniwaban, arrive at the scene, seeking to eliminate Kenshin and exploit Tomoe's talents. The leader of the Oniwaban, a ruthless and cunning man named Yutaro Honjo, serves as a foil to Kenshin, embodying the very darkness and violence that Kenshin seeks to escape. As tensions between Kenshin and the Oniwaban escalate, Tomoe finds herself trapped in the middle. Her presence is both a source of comfort for Kenshin and a liability for the Oniwaban, who seek to exploit her unique gifts. With the situation spiraling out of control, Kenshin is forced to make a choice: stay with the Oniwaban and continue on his path of violence and destruction, or seek a new path, one that might lead to redemption and forgiveness. The fate of Kenshin's soul hangs in the balance, as he grapples with the consequences of his actions. With Tomoe by his side, Kenshin begins to glimpse a glimmer of hope, a chance to start anew and forge a different path. As the dust settles, Kenshin stands at a crossroads, with the weight of his past bearing down upon him. Will he choose the safety and stability of the Oniwaban, or risk everything to follow a new and uncertain journey?
Reviews
Nicholas
Okay, here's the translation of the review, aiming for natural English and reflecting the movie's content: "If you haven't seen it yet, I highly recommend watching 'The Beginning' *before* 'The Final'! I'm giving it two stars for the actual film and two more for the emotional impact. The plot is streamlined, with the unnecessary section of Kaoru's fake death and Kenshin's subsequent slump cut out (which makes Kaoru even more irrelevant). The supporting characters feel like they're just there to fill space, both plot-wise and in terms of screentime; only Kenshin and Enishi stand out. However, Kenshin's actions in the first half are a bit confusing, and he's almost expressionless (though still beautiful). The pacing of the whole movie is off – it's loose and feels poorly edited. Every time things are about to get exciting, they throw in a slow scene, especially during the final fight against Enishi…"
Owen
The drama feels rushed, which undermines the tragic nature of Kenshin Himura's character. Some viewers criticize his "stone-cold face," but I see it as a serene, almost Buddha-like countenance with lowered brows, bowed head, and closed eyes. I love pausing the film just to gaze at that face. His master, Hiko Seijuro, enlightens Kenshin, saying, "Your life is not your own." And so, this man begins to live with awareness of his sins, living for the sake of all people. He contemplates and examines his sins, and bids farewell to them. Takeru Satoh's physical performance, whether still or in motion, is beautiful. Even the lines of his sleeves flowing or hanging still in the air seem perfectly arranged.
Gael
Okay, here's an English translation that captures the spirit of your review: "Sniff, sniff... Everyone looks a little world-weary now, but it's still so exhilarating and so cool!! The best manga adaptation ever. Kenshin is a legend! Finally got to see it in Japan."
Mark
Arson is a serious crime, but I'd still tell my brother, even behind bars, don't give up on your workouts! Those shoulder and arm muscles are just too stunning TAT... Also, Takeru Satoh is reliably handsome. The snowy and rainy scenes in the flashbacks are moments of artistic beauty www.
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