The Sleeping Dictionary

The Sleeping Dictionary is a 2003 British drama film directed by Guy Jenkin, set in the early 20th century. The movie revolves around John Traverner, a young Englishman played by Jessica Alba's co-star, Hugh Dancy, who embarks on a journey to the remote region of Sarawak, a British colony in what is now Malaysia at the time. Upon his arrival, Traverner finds himself amidst the exotic and sometimes perplexing culture of the indigenous Ibans and Bidayuhs. The colonizers have created their own hierarchical system, with the Iban headman serving a role similar to a governor or a mayor. However, as Traverner delves deeper into the complexities of the local society, he becomes increasingly disillusioned with the colonial administration's treatment of the native people. The story follows Traverner as he learns to navigate the intricacies of the local culture, often clashing with his superior officers who are more concerned with maintaining the status quo than in truly understanding and benefiting the native people. Through these experiences, Traverner begins to question the morality of colonialism and the values he was taught in England. Meanwhile, he finds himself smitten with Selima, a stunningly beautiful Bidayuh woman who lives on the outskirts of the settlement. Selima is the wife of an Iban headman and serves as an advisor to her husband. However, she also harbors a deep affection for Traverner, which he unwittingly reciprocates. However, their relationship is fraught with danger due to the societal norms of the time. Through his interactions with Selima, Traverner begins to understand the intricacies of the local culture, including the concept of the 'sleeping dictionary', a phrase coined by the local headman. The 'sleeping dictionary' refers to a language expert, typically an elderly Bidayuh woman who is responsible for teaching the local language to new arrivals, including the men who come to teach the Ibans English. Traverner eventually forms an intimate bond with the 'sleeping dictionary,' a wise and aged Bidayuh woman named Mina. Mina is well-versed in the complexities of the local language and culture and serves as Traverner's guide in navigating the intricacies of Iban life. However, Traverner soon finds himself torn between his love for Mina, his growing feelings for Selima, and his duty as a representative of the British colonial government. As Traverner becomes increasingly embroiled in local politics, he faces opposition from his superiors, who believe he is compromising the interests of the British government. Meanwhile, the native people begin to resist the colonial administration's attempts to impose Christianity and the English language on their culture. The movie culminates in a dramatic confrontation between Traverner and the colonial administration, as he stands up for what he believes in – the right of the indigenous people to preserve their language and culture. In the climactic scene, Traverner must choose between following his heart and doing what he knows is right for the native people. Ultimately, Traverner's decision is a testament to his growth as a character, as he chooses to abandon the comforts and privileges of his colonial position in favor of truly understanding and respecting the people he has come to care for. In doing so, Traverner emerges as a symbol of hope and change, a reminder that even in the darkest of times, it is possible for individuals to challenge the status quo and strive for a more just and equitable society.