The Sting
Plot
In the midst of the Great Depression, Henry Gondorff (Paul Newman) and Johnny Hooker (Robert Redford) form an unlikely partnership to exact revenge on the ruthless Doyle Lonsdale (Robert Shaw), who brutally murders Johnny's mentor, Louie Carver. The two cons hatch a plan to pull off the ultimate big con, targeting Doyle's wealthy friend, James F. 'Ferris' Dunlop. Johnny, a small-time grifter from Joliet, Illinois, has honed his skills on the streets and is looking for a way out of the poverty-stricken life he's always known. Henry, a seasoned veteran with a reputation for being able to talk his way into – or out of – almost any situation, sees potential in Johnny and agrees to mentor him. The duo begins by creating an elaborate ruse, using Henry's expertise to set up a fake racing track and convincing Doyle that they're planning to swindle him. Meanwhile, Henry manipulates events from behind the scenes, using his vast network of underworld connections to gather information and resources for their big con. As Johnny becomes increasingly skilled in the art of deception, he begins to question whether he's more than just a small-time crook. Henry, on the other hand, seems driven by a sense of personal vendetta against Doyle, who murdered Louie Carver, Johnny's mentor and friend. The stakes are high as Johnny and Henry work together to pull off the ultimate heist, using every trick in the book to stay one step ahead of their enemies. With tension building towards a thrilling climax, The Sting delivers a masterclass in storytelling, character development, and cinematic craftsmanship, cementing its place as a beloved classic in the world of cinema.
Reviews
Oakley
Paul Newman is so handsome it leaves me speechless... A truly classic film. I absolutely love the 70s!
Kenneth
"The Sting" is a lighthearted and optimistic film, yet somewhat lacking in character development. The strong narrative focus detracts from deeper character exploration. The plot itself is rather unremarkable, with the con tricks feeling like child's play, portraying the antagonists as complete fools. The movie's length is also a drawback; stretching such a simple story to over two hours results in a disjointed narrative that lacks suspense. The use of title cards to divide the story into chapters further cheapens and weakens the plot, making it feel childish and loose.
April
In the breakneck era of the New Hollywood movement of the 1970s, the emergence of a film with such a retro vibe was perhaps a rebellion in itself, from the story to the techniques employed. The trio of Newman, Redford, and Hill together exude a special kind of quality.
Nora
Absolutely brilliant from start to finish! A superb film in every aspect, especially the music. Paul Newman could kill with just a look. The fact that Pitt so resembles Redford just proves that American aesthetic tastes haven't changed much in decades.
Cora
Paul Newman is dashingly handsome in a way that feels deliberate and classic. Robert Redford, as expected, bears a striking resemblance to a young Brad Pitt, boasting a bright, charming face and those unmistakable, sparkling eyes. Even his wardrobe seems reminiscent of Pitt's look in "Ocean's Twelve."
Elsie
The Sting masterfully blurs the line between vice and redemption, offering a morality tale wrapped in a web of deception.