Turn Me On, Dammit!

In the small Norwegian town of Skoddeheimen, a typical Scandinavian landscape unfolds with lush green forests, serene lakes, and quaint wooden cabins. It is here that 15-year-old Alma lives, a girl consumed by her blossoming hormones and fantasies. As she navigates her way through adolescence, Alma's emotions and feelings are in a constant state of turmoil, making it difficult for her to distinguish between reality and fantasy. One of the individuals who captures Alma's imagination is Artur, her somewhat awkward but charismatic boyfriend. Artur and Alma have been dating for a while, but Alma's feelings for him are complicated. She is torn between her affection for him and the intense romantic daydreams that she indulges in, where Artur is portrayed as the perfect partner. These fantasies often involve elaborate and poetic scenarios, where Artur showers Alma with love and attention, making her feel like the only person in the world. However, Alma's desires are not limited to Artur alone. Her imagination runs wild, and she fantasizes about almost everyone she meets, from the school bus driver to her friends and classmates. This tendency often leads Alma to daydream in class, making it challenging for her to focus on her studies. Her teachers view her as a distraction and a handful, while her classmates struggle to understand her behavior. Despite her turbulent inner life, Alma is a creative and sensitive soul. She expresses herself through art, music, and writing, which become essential outlets for her emotions. Alma's poetry and stories are a reflection of her inner world, filled with vivid descriptions of her daydreams and relationships. They serve as a form of catharsis, allowing her to release her pent-up feelings and thoughts. One person who is not immune to Alma's charms is Reisa's brother, Reidar. Reidar, unlike Artur, is not interested in a romantic relationship with Alma. However, their interactions are filled with a palpable tension, which Alma picks up on. She finds herself drawn to Reidar, despite knowing that he doesn't reciprocate her feelings. This awareness makes Alma's emotions even more complicated, as she tries to navigate her desires and feelings for Reidar within the context of her existing relationship with Artur. In Skoddeheimen, everyone knows each other's business, and gossip spreads like wildfire. Alma's classmates and teachers are quick to point out her behavior, labeling her as "odd" or "moody." This social pressure further exacerbates Alma's feelings of isolation and insecurity. She begins to question her own desires and relationships, wondering if she's the only one who feels this way. As Alma navigates her way through puberty, she starts to realize that her fantasies are not just a product of her imagination but are also a way of coping with the uncertainty and confusion of adolescence. Her daydreams become a defense mechanism, shielding her from the harsh realities of her relationships and the world around her. In the end, Alma's story is one of self-discovery and growth. She comes to understand that her fantasies are a natural part of her emotional and psychological journey. Rather than trying to suppress or deny them, she learns to accept and express herself in all her complexity. Through her poetry, stories, and art, Alma finds a way to reconcile her inner and outer worlds, embracing her true self with all its imperfections and desires.