An Escalator in World Order

"An Escalator in World Order" is a deeply personal and introspective documentary film directed by Hwang Dong-hyuk, a renowned Korean filmmaker. The movie is a poignant exploration into the intricate fabric of Korean society and its complex relationship with the outside world. Through a masterful blend of archival footage and poignant imagery, Hwang paints a vivid portrait of Korea's journey towards modernity, weaving a narrative that is both deeply rooted in the country's past and eerily relevant to its present. As the title suggests, "An Escalator in World Order" refers to a common expression in Korean language, which translates to being caught in a never-ending cycle of progress without ever truly achieving one's goals. This theme is echoed throughout the film, as it takes a nuanced look at the ways in which South Korea has transformed over the years, from the post-liberation era to the hyper-modern society that exists today. The documentary begins with images of Korea's tumultuous past, showcasing footage from the Korean War, followed by the devastating struggles of the 1960s and 1970s. These scenes are intercut with interviews with elderly Koreans who share their personal stories of hardship, perseverance, and struggle. These narratives not only provide a firsthand account of the tumultuous events of the time but also underscore the resilience and adaptability of the Korean people. As the film transitions from the past to the present, Hwang presents a series of stark contrasts, highlighting the remarkable economic and social progress that Korea has made in recent decades. From the gleaming skyscrapers of Seoul's financial district to the gleaming shopping malls and hyper-consumer culture of contemporary Korea, it is clear that the country has entered a new era of prosperity and development. However, this newfound prosperity is also juxtaposed with the anxieties and disillusionments of modern society. Hwang's film touches on issues of social inequality, corruption, and the growing divide between the haves and have-nots in Korean society. He also examines the ways in which Korea's relentless drive for progress has led to a loss of cultural identity and a disconnection from the country's rich history. One of the most compelling aspects of "An Escalator in World Order" is its use of archival footage, which provides a visceral connection to the past. Hwang weaves together a rich tapestry of images and sounds, creating a cinematic narrative that is both informative and deeply moving. The film's use of home movies, newsreels, and personal photographs adds a touch of intimacy and immediacy, drawing the viewer into the world of the film and making them a participant in the narrative. Throughout the documentary, Hwang also explores the concept of "USA," a phrase that is often used in Korean to describe the United States and, by extension, the ideals of Western modernity. This concept is seen as both a source of inspiration and a source of anxiety, as Koreans struggle to balance their desire for progress and prosperity with a deep-seated sense of cultural identity. The film ultimately raises questions about the meaning of progress and the true cost of development. As Hwang's documentary shows, the relentless pursuit of growth and efficiency has led to a society that is increasingly disconnected and dehumanized. The movie ends on a haunting note, with images of a gleaming escalator, symbolizing the never-ending cycle of progress without true accomplishment. "An Escalator in World Order" is a deeply personal and thought-provoking documentary that challenges viewers to rethink their assumptions about the nature of progress and development. Through its masterful use of archival footage and poignant imagery, the film presents a nuanced portrait of Korea's complex journey towards modernity, inviting viewers to reflect on the true cost of success and the value of preserving cultural identity in an increasingly globalized world.