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What truly moved me was the final line, "It's just a small matter, not worth mentioning at all." Even as time flowed on and the universe shifted, despite losing memories and experiences of each other, their essence remained unchanged. They were still meeting each other, at the best time, as the best version of themselves.

Similar to "Hello World," this is a story about a stubbornly persistent male protagonist desperately trying to save the woman he loves. The premise is quite promising, but the development feels too abrupt and, frankly, very childish, like playing house. Are we really expected to believe that a research institution capable of traversing parallel worlds would allow family members and unruly kids to wander into the lab at will? The opening scenario where either the grandfather or the dog could live didn't lead the protagonist to any profound reflection on life, death, or the unidirectional nature of time; apparently, only the female lead's life matters. The second female lead sacrificing her entire life to assist the male lead in his time-travel and virtual space convergence plan to save the female lead is just too tragic a one-sided love story. In the end, the male and female leads are connected through virtual substance...

The temperature of life is the temperature of possibility. Living and dying, the temperature difference between them is the essence of life.

Watching both movies together, the theme is exceptionally well-conceived.

Dressed in a pseudo-sci-fi cloak, this film strings together two love stories while superficially capitalizing on the trendy parallel universe concept. Meeting her, or not—that's supposed to constitute a parallel world? A barrage of convoluted technical jargon is thrown in, but it serves no real purpose. The story progresses like a "Sims" game, rapidly advancing once the initial settings are input, with years and decades flashing by in a whirlwind. Marketed with the concept that "the order in which you watch them will affect the ending's development," "To Me, the One Who Loved You" and "To Every You I've Loved Before" were released simultaneously on the same day.