Killer Babes

Killer Babes is a 1976 British sexploitation film directed by Ray Austin. The movie stars Robin Askwith, Sally Geeson, and Judy Cornwell as the main characters, alongside Tony Anholt and John Lee as their husbands. The story begins with the introduction of three women: Karen (Sally Geeson), Susan (Judy Cornwell), and Susan's sister, Diana (Barbara Feldon, although her role got cut from the film). Karen, Susan, and Diana are married to three wealthy and powerful men, but their lives are filled with loneliness and despair. Their husbands barely spend any time with them, and when they do, it's only for their own selfish desires. Karen's husband, Michael, is always busy at work, Susan's husband, Mark, is a womanizer, and Diana's husband, Alan, treats her poorly. The three women decide to take matters into their own hands and seek revenge against their husbands. They seek the help of an experienced hitman, Harry (Tony Anholt), who agrees to help them kill their husbands. Harry, however, has his own agenda and plans to use the women to further his own career as a hitman. He begins by teaching the women how to handle guns and use them against their husbands. As the story progresses, the women begin to enjoy their newfound power and freedom. They start to see their husbands in a new light and are no longer content with just being neglected and mistreated. Karen, Susan, and Diana start to plot their revenge, using the knowledge and skills they've acquired from Harry to plan the perfect murder. However, as the women become more confident and skilled in their plans, they begin to develop their own personalities and motivations. Karen starts to fall for a man she met at a party, while Susan becomes increasingly obsessed with her plan for revenge. Diana, on the other hand, becomes disillusioned with the whole idea of killing her husband and starts to question whether it's really worth it. Meanwhile, Harry's true motives are revealed, and it's clear that he's only using the women for his own gain. He's using them to further his own career and gain more clients. The women start to realize that they've fallen into a trap and are nothing more than pawns in Harry's game. As the story reaches its climax, the women start to take matters into their own hands. They decide to take revenge on their husbands without Harry's help, using the skills and knowledge they've acquired. The ending is a bloody and violent one, with the women emerging as the victors. Overall, Killer Babes is a violent and exploitative film that explores themes of loneliness, despair, and power. The movie features a strong feminist message, with the women taking charge and seeking revenge against their abusive husbands. The film's graphic violence and sex scenes make it a product of its time, a typical example of the sexploitation genre of the 1970s. Despite its graphic content, the movie remains a fascinating look at the feminist movement of the time and the ways in which women were portrayed in film during that era. The film's performances are solid, with the three leading ladies delivering strong performances as the neglected and mistreated wives. Tony Anholt is also great as the hitman, bringing a level of charisma and charm to the role. The movie's direction is straightforward, with Austin using the genre to explore themes of female empowerment. Overall, Killer Babes is a product of its time, a sexploitation film that explores themes of feminism and violence. While the film's graphic content may be off-putting to some, it remains a fascinating look at the feminist movement of the 1970s and the ways in which women were portrayed in film during that era.