The Coffee Table

The Coffee Table

Plot

The Coffee Table is a poignant drama that delves into the complexities of relationships, parenthood, and identity. The movie revolves around Jesus and María, a young couple navigating the challenges of new parenthood. On the surface, their decision to buy a new coffee table may seem frivolous, but as the story unfolds, it becomes a catalyst for exploring the intricacies of their relationship and the significant changes it has undergone. The film opens with Jesus and María, both in their early thirties, trying to adjust to their new roles as parents. They are struggling to balance their love for each other with the added responsibilities of raising a child. The stress and fatigue of new parenthood have taken a toll on their relationship, and they find themselves drifting apart. Jesus, a free-spirited individual, feels suffocated by the new domesticity that has descended upon their lives, while María, a more practical person, is overwhelmed by the demands of caring for their infant child. As they begin to rebuild their life together, Jesus and María decide to take a trip to the city to buy a new coffee table. On the surface, this decision appears to be a mundane task, but it serves as a metaphor for their attempts to start anew and reconnect with each other. The coffee table represents a symbol of their shared space, a physical center around which their relationship revolved before the arrival of their child. During their shopping trip, Jesus and María engage in a series of poignant conversations about their relationship, parenthood, and their own identities. Jesus is torn between his desire for freedom and his commitment to María and their child. María, on the other hand, is grappling with the loss of her former self, a vibrant and carefree individual who had a passion for art and music. As they visit various furniture stores, they come across an enigmatic coffee table that seems to have an otherworldly presence. This table, with its sleek design and imposing size, sparks a heated debate between Jesus and María about their vision for their home and their relationship. Jesus sees the table as a statement piece, a reflection of his artistic sensibilities and creative vision. María, however, views it as a practical and functional piece of furniture that will serve as the center of their domestic life. Their decision to buy the coffee table sets off a chain of events that forces them to confront the reality of their relationship and the significant changes it has undergone. As they begin to assemble the table, they are confronted with the imperfections and limitations of their domestic space. The table becomes a catalyst for their conversations about power dynamics, responsibility, and the changing roles they now play in their relationship. Throughout the film, the cinematography is minimalist and introspective, reflecting the quiet desperation and vulnerability of Jesus and María. The camera lingers on the coffee table, capturing its beauty and significance in various moments of the story. The use of natural light and muted colors adds to the sense of intimacy and authenticity, underscoring the fragility of the human experience. As the story reaches its climax, Jesus and María engage in a heart-wrenching conversation about the future of their relationship. They grapple with the reality that their new roles as parents have forever altered their relationship, and they must confront the impermanence of their love and identity. The coffee table, once a symbol of their shared space, now serves as a reminder of the distances that have grown between them. Ultimately, the film suggests that the coffee table was never just a piece of furniture, but a metaphor for the complexities of human relationships. It is a reminder that relationships are dynamic and ever-changing, influenced by the external world and our own internal struggles. The movie concludes with Jesus and María standing amidst the partially assembled coffee table, looking at each other with a mix of sadness, love, and a sense of uncertainty about their future together.

The Coffee Table screenshot 1
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Reviews

K

Kennedy

The scariest danger is a dad when there's no real danger around. This movie perfectly embodies that idea. I was watching a stand-up show the other day, and the comedian talked about how whenever his dad wasn't watching him carefully and he got hurt, his dad's first reaction wasn't, "Are you okay?" but "Don't tell your mom you got hurt!" That kind of mentality is the same as the main character in this film. He doesn't step into the role of a father and take responsibility; instead, he treats taking care of the child as a chore to be dealt with. Of course!!! I want to emphasize that this isn't all dads. I'm just talking about those dads who haven't fully matured emotionally.

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6/18/2025, 1:20:46 AM
C

Cayden

Starts off strong, but ends in a disappointing mess. The moment the coffee table shattered, I was genuinely stunned, hardly believing the screenwriter could conceive of such a premise. I anticipated a series of twists and coincidences to follow. Sadly, the ending just shows the wife comes home, finds their child dead, becomes overwhelmed, and jumps to her death. The husband, laden with guilt, follows suit. A stark reminder: if you have children, avoid buying furniture that's too sharp, thin, or pointy. Either install anti-collision strips on what you already have, or get rid of it altogether.

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6/17/2025, 1:29:52 PM
R

Renata

The husband's character is a major flaw; the neighbors like him, the neighbor's 13-year-old daughter likes him, and even the salesman selling the coffee table likes him. Especially the little girl's infatuation feels forced. Does a young girl really exist who spontaneously likes middle-aged men in their thirties and forties without any prompting? It feels both pedophilic and filled with disgusting, straight-male fantasies. The ending is predictable; in this situation, only death can resolve things. The depiction of marriage is interesting; they claim to love each other deeply, but every interaction expresses hatred. Some of the shots expressing the husband's anxiety and fear in the middle of the movie are well done. It seems like hearing and sight are altered under this psychological state...

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6/16/2025, 10:22:41 AM
H

Henry

【Not Recommended】 A pro-anti-marriage and anti-natal seed; the ultimate nightmare for new parents. There are many films that choose to narrate this kind of event by focusing on the time before the incident or years after the trauma, but it is a challenge in itself to shoot focusing on the short few hours that are happening. Fortunately, the director is well-versed in Hitchcock's bomb theory; the amplified sound and visuals and hallucinatory experience during the emergency are extremely immersive, directly destroying the mind. People who are living well should not watch this unless they want a terrible fright. [To those who give away spoilers in one sentence in the short review section, please get out of Douban, I'm tired of saying it]

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6/11/2025, 2:16:37 PM